Nina Kravis
Jesus Died So We Could Rave for Two Extra Days – Easter Weekend Update!
Tuesday, March 30th, 2010 | Event Preview | No Comments
A weekend bookended by bank holidays, don’t you just love Easter. Jesus died so we could rave for four days with out feeling guilty about work. I’m pretty sure that’s what it said in the bible. Plenty of stuff on so I won’t ramble on in this blasphemous theme.
Thursday
Secretsundaze @ Stamford Works (Buy Tickets)
Ooo its nearly time for Secretsundaze to emerge from its winter cocoon and head back out into the great outdoors. I cannie wait. But just to wet your whistle they’re throwing a Bank Holiday warehouse party this Thursday. I remember reading somewhere that its at the great little warehouse called the Stamford Works in Dalston where the recent DDD birthday took place. Its round the back of the Jazz Bar and Kingsland Road station. However I can’t find where I read that, so the official word is its in Dalston and yet to be announced. For the line-up they’ve got a veteran of the New York scene Morgan Geist of Metro Area fame, whilst in support they have new comer Nina Kraviz who’s found breaking fame on Radioslave’s Rekids. › Continue reading
Radioslave Fabric 48 | Album Review
Sunday, September 20th, 2009 | Album Review | 1 Comment
House and techno lovers on a fabric subscription can breathe a sigh of relief after the Toddla T FabricLive release because the urban sounds of bashment and dancehalll make way for the hypnotic rolling beats of Radioslave. No stranger to the scene Radioslave has been consistently producing quality house and techno for a very good proportion of this decade. Initially starting life as a partnership between Brightonians Matt Edwards and Serge Santiago pumping out cheeky re-edits and bootlegs of pop songs. The Radioslave name has evolved some what over the years. A major milestone was when Serge Santiago went his separate way to leave Matt Edwards flying the moniker solo. And it’s precisely there where the Radioslave name veered off path into the dark and murky undergrowth. Out went the happiness; in came the dark and deep sounds. One thing that Matt Edwards was not afraid to do on his tracks is take his time getting to the point. His productions could wind and meander for minutes upon minutes leisurely strolling through the audio scenery making sure you had time to pick up on the slightest of details.
This nonchalance has transferred on to his offering for Fabric 48. The intro to the mix is literally spread over the first three to four tracks. Now that might sound tedious to listen to, and it would be was it not for the fact that this is a Radioslave production. The eerie whirring of Michel Cleis’ mix of Baeka’s Right At It murmurs the start of the mix. It gently bubbles to its crescendo of shakers and wood block rattles. For your standard mix this would be a logical place to drop in to some big ass beats and bass to get the mix fully going. Not Radioslave. He launches into his own track DDB, a heavy marching kick/clap combo which arrogantly makes itself known. › Continue reading
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