Album Review
Seth Troxler – Boogybytes Vol 5. | Album Review
Friday, February 19th, 2010 | Album Review | No Comments
Detroit is under going a bit of a renaissance at the moment. As the once global dominant motor industry continues to crumble electronic dance music is once again becoming a prime export. Current number one export for Detroit on its third generation of techno models is Seth Troxler. He’s been making some great music over the last few years, injecting his weird and playful character into the house music genre which had become cold and processed in the years prior. Probably the most talked about thing with Troxler are his DJ sets. His hunger for the party and fun transfers directly to his sets taking crowds through musically unexpected but ultimately fun ”journeys”. His ability to read a crowd, react and then send them on an off guard curveball has seen him tear dancefloors up and win the hearts of many across the globe. So the announcement of him doing the next Boogybytes CD, a series that is known to give DJs free reign, has set big expectations from the chattering masses. Could Troxler capture and condense his peculiarities and unpredictability on to a small plastic disc? › Continue reading
Martyn – Fabric 50 | Album Review
Tuesday, January 12th, 2010 | Album Review | No Comments
This month’s latest fabric release is another milestone in their now long and successful career. The other month they were turning ten and this month they’re releasing their fiftieth compilation of the fabric series. And who have they bestowed this great honour of house and techno to? Martyn – a bloody drum n bass turned dub step DJ/producer that’s who. He has come to prominence over the last few years alighting dubstep circles with his well constructed deep productions, most notably his debut album Great Lengths being a lynchpin for 2009. So why have fabric handed over this landmark release to someone who sounds like they should clearly be on FabricLive? Well if you’ve heard Martyn DJ before then you will understand that no genre bounds him. His sets may have an urban feel with a focus on percussion and bass, yet they have this house and techno veneer of deepness and subtlety. It’s this cross pollination of sounds that has caught the eye of the fabric series. › Continue reading
Magda – Fabric 49 | Album Review
Sunday, November 22nd, 2009 | Album Review | 1 Comment
Oh Magda, my how far you’ve come. Since your days as Richie Hawtin’s personal tea lady to now a heavy weight DJ with your own Fabric CD. A proper rags to riches story. On her path to stardom, Magda had put out She’s a Dancing Machine her first CD compilation way back in 2006 when clicky minimal techno was still fashionable. She earned some deserved applaud with her multi layered and intricately architected mix. It was mechanical, it was robotic, it was computerised, yet it clicked and jacked along dripping in synthetic funk. Magda had set her own bar high, the question is could she surpass it on Fabric 49?
The answer – no, at best on par. The mix follows the same recipe of synthetic funk, robotic rhythms and mechanical beats. The only difference is for Fabric 49 she stays caught on the same jittery electronic theme rather than providing contrast and texture exploring the techno genre. On Dancing Machine she moved from abstract sounds, to funky rhythms, to dark pummelling techno with ease. But on Fabric 49 she stays firmly locked on the same groove throughout. › Continue reading
Dixon – Temporary Secretary | Album Review
Tuesday, November 17th, 2009 | Album Review | No Comments
I’m a big fan of Dixon, his ability as a DJ and producer is often unsurpassed and his taste in house music and beyond is often faultless. Dixon’s last outing on a compilation mix was with his Innervisions buddies Henrik Schwarz and Ame. The resulting CD was a masterpiece which knitted together an intricate composition of varied sounds that had a common minimal style to them. The complexity of sounds and the fluidity of the mix made it such an interesting and pleasurable listening experience, which dare I say made it a timeless CD. It’s that winning combination which Dixon has tried to emulate on his solo effort for Temporary Secretary.
The track selection on Temporary Secretary definitely reflects a similar approach that features on The Grandfather Paradox. He’s used tracks which revolve around a house come 4/4 base yet they all have their own diversely individual sounds. Dixon craftily blends each track with such flow and smoothness that the whole mix simply glides.
There’s no rushing this CD with things starting in carefully measured amounts. Fever Ray’s If I Had A Heart sets a deep warm tone with its multi layers of vocals and melodies. From there he melds into the spooky whistles of Roland Bocquet’s Exotique before slowly layering in the vibrating motif from Ame’s Tube Beats. It creates a fine build of tension before brilliantly releasing into a medley of Jazzanova’s Let Me Show Ya and Daniel Paul’s Something About You. Quite a mouthful to describe and that was just for three of the four opening tracks. › Continue reading
Cassy – Simply Devotion | Album Review
Tuesday, November 10th, 2009 | Album Review | No Comments
When someone says ‘Cassy’ you can’t help but think of productions which combine deep, restrained grooves with slow burning minimal movement. And whilst her outing on the first Panoramabar mix showcased a minimal palette with some panache, I have, infact, seen her bang out a pretty full on techno set in the UK, so wondered which way she would take this, her next mix…
Well, this effort for Cocoon completely reflects her production tendencies utilising deep grooves, controlled progression and all done with the urgency of a tortoise, with only one slight difference – a healthy presence of the more soulful side of house which is currently in vogue.
That is no bad thing, however. Quite often, the stripped back sound can get so reduced that the overall progression and atmosphere of a mix can quite easily drain out the bottom like a leaky bucket. › Continue reading
Radioslave Fabric 48 | Album Review
Sunday, September 20th, 2009 | Album Review | No Comments
House and techno lovers on a fabric subscription can breathe a sigh of relief after the Toddla T FabricLive release because the urban sounds of bashment and dancehalll make way for the hypnotic rolling beats of Radioslave. No stranger to the scene Radioslave has been consistently producing quality house and techno for a very good proportion of this decade. Initially starting life as a partnership between Brightonians Matt Edwards and Serge Santiago pumping out cheeky re-edits and bootlegs of pop songs. The Radioslave name has evolved some what over the years. A major milestone was when Serge Santiago went his separate way to leave Matt Edwards flying the moniker solo. And it’s precisely there where the Radioslave name veered off path into the dark and murky undergrowth. Out went the happiness; in came the dark and deep sounds. One thing that Matt Edwards was not afraid to do on his tracks is take his time getting to the point. His productions could wind and meander for minutes upon minutes leisurely strolling through the audio scenery making sure you had time to pick up on the slightest of details.
This nonchalance has transferred on to his offering for Fabric 48. The intro to the mix is literally spread over the first three to four tracks. Now that might sound tedious to listen to, and it would be was it not for the fact that this is a Radioslave production. The eerie whirring of Michel Cleis’ mix of Baeka’s Right At It murmurs the start of the mix. It gently bubbles to its crescendo of shakers and wood block rattles. For your standard mix this would be a logical place to drop in to some big ass beats and bass to get the mix fully going. Not Radioslave. He launches into his own track DDB, a heavy marching kick/clap combo which arrogantly makes itself known. › Continue reading
Jay Haze – Fabric 47 | Album Review
Sunday, July 12th, 2009 | Album Review | No Comments
For Fabric’s 47th installation of the CD series, they’ve brought in the colourful character that is Jay Haze. Known for telling it like it is and literally coming from the streets of Philly (according to the press release he was homeless a couple of times), Jay Haze has mixed up an honest borderless mix that is full to the brim of soul and deepness. The mix predominately skirts around the house and tech house domains but there are wide and far reaching influences on the sound from Jazz, Funk and Disco to Hip Hop, Reggae and Dub. All of this is effortlessly blended together by Jay Haze.
For example the opening six or so tracks, Jay Haze has touched on Hip Hop with his track Awakening, which quickly runs over to deep house with an exclusive track on TuningSpork from Lil Dirty Ghetto Bastard, › Continue reading
All This Summer Dancing Meant I Forgot to Tell You About These Albums
Sunday, July 12th, 2009 | Album Review | No Comments
June to July has been a particularly lost couple of months. Mainly due to being found on various dancefloors in the UK and abroad. But as I stumble between the parties with that crazed ‘I Need Crack’ look I have been listening to a few good albums that came my way. The moment may have passed for most, but I’m still going to tell you anyway.
Robert Hood – Minimal Nation
When I said the moment might have passed I wasn’t talking about the one back in 1994 when this seminal classic was released. Instead I’m talking about Robert Hood and Planet M’s decision to re-release Minimal Nation to another generation of techno lovers and re-school the kids on where manipulating a minimal set of elements comes from. › Continue reading
Radioslave – 3 Snapshots: Tokyo Free CD | Album Review
Saturday, June 27th, 2009 | Album Review | No Comments
Ever been to Tokyo? Me neither. 3, those mobile phone people, hope to give you the inside scoop on Tokyo and other locations with their 3 Snapshots series. But why are they doing it? Well, it promotes their new INQ1 phone which allows you to hook up to all kinds of new fangled social media things like Facebook, Flickr and Skype. So what’s Radioslave got to do with all of this? I’m not quite sure myself. From what I can gather he likes Tokyo, he says it’s great for shopping and has the “sickest” clubs in the World. Tenuous link to do a mix – yes maybe, but it’s a free CD from Radioslave which come few and far between when you pay for them. So stop your moaning.
It’s been two years since the last mix from Radioslave and it seems as though he has turned another page in terms of style; previous years saw Radioslave put out the darkest, heaviest and most hypnotic records on the market, whilst before that he was making cheeky pop bootlegs with old production partner Serge Santiago. › Continue reading
LTJ Bukem – FabricLive 46
Tuesday, June 16th, 2009 | Album Review | No Comments
We don’t really cover too much Drum n Bass on here. But that’s not to say we don’t like it. The problem has been, in our own honest opinion, a lack of decent drum n bass. Well probably not lack of, just its been pushed to the side whilst all the kids have been going made for the noisy jump up sound ala Pendulum et al. Which is fair enough. Its noisy, its mental its what kids love. For grumpy folk like us at EarPipe we’re more accustomed to the oozsing liquid sounds of drum n bass. Hence why we’re giving LTJ Bukem’s FabricLive mix the big lighter cru thumbs up.
It’s been a long time coming for LTJ Bukem to do this CD. But by god it was worth it. So what has the godfather of liquid drum n bass dished out on this mix? Basically 70 minutes of smooth luscious grooves and layers over itching, rolling percussion. You’ve got rolling pianos, soaring synths, luscious melodies and my personal favourite, double bass basslines ala Breakbeat Orchestra style. I can’t really give you any details of its credibility in drum n bass terms, but it is definitely the best D&B mix from FabricLive since High Contrast and Marcus Intalex. Nuff said, innit.
Buy LTJ Bukem – FabricLive 43 on CD
Tracklist:
01 Greg Packer – People’s Music
02 Tidal – Impressions
03 Furney – Eerie Indiana
04 Villem – Inflated Tear (Madcap’s Remix)
05 Paul SG Ft Eros – Forever
06 Paul SG Ft Caine – Lay Down
07 Paul SG Ft Andy Sim – Sweet and Fresh
08 Locksmith – 2 Minds
09 Specific – Time
10 Furney – Jambaleno
11 Phatplayaz – Fact Of The Unknown
12 Furney – Rhodeo Drive
13 Eveson – Kodama
14 Furney – Fearz
15 Tayla – Turn it Around
16 Locksmith – I’m Not Where You Are
17 Furney – Rhodes For D
18 Syncopix – So In Need
Claude Von Stroke – Fabric 46 | Album Review
Saturday, May 9th, 2009 | Album Review | No Comments
For many Claude Von Stroke divides opinion, there are those that think his wonky sound is the best thing since sliced bread whilst there are those that won’t give him the time of the day due to tracks like Whistler. For me, I sit on the fence like Switzerland. Von Stroke’s music can be a bit dubious at times, but you got to give the man some respect for genre busting sound of Whos Afraid of Detroit. What I do like about Von Stroke though is his whole approach to the scene. It all just seems like a good bit of fun for him which he doesn’t take too seriously at all. And in the process he’s helped create this wonky sound that straddles house and techno, he’s made some fantastic tunes and obviously some which are corny. But in his defence all the corny ones have had their comedic charm. I mean who in their right mind makes a breakbeat remix of Peanut Butter Jelly Time if they’re not dicking around, even his Fabric CD starts with him and his mates just laughing for no real reason.
Thankfully however Von Stroke doesn’t go absurd on the comic front for Fabric 46. Instead it locks into a wonky groove travelling through all sorts of styles with just the right sheen of Von Stroke humour and quirkiness. He gently › Continue reading
Louderbach – Autumn | Album Review
Wednesday, May 6th, 2009 | Album Review | 1 Comment
Troy Pierce’s alter ego Louderbach drops his second album with a little vocal help from post-punk singer Gibby Miller. The duo have been recording tracks together on and off for the last few years ever since their first meeting in New York during 2001.
Their latest offering, Autumn alludes to Troy Pierce’s dark more minimal side. The tracks are deep, abstract and have an off colour feel. Strange and eerie dominates the album which is coupled by Miller’s often chilling vocal inserts. On Seems Like Static Miller’s calm vocals provide a sinister vibe over Troy’s mechanised beats. And on So This Is Control, Miller’s vocals again provide an unnerving eeriness to the track, perfect for those haunting synths.
For the tracks where Miller’s vocals › Continue reading
DJ Hell – Teufelswerk | Album Review
Saturday, May 2nd, 2009 | Album Review | No Comments
DJ Hell needs no introduction but if you must know the man pioneered the electroclash sound which came out of Berlin during the mid nineties. He runs the infamous DJ Gigolos record label and is a general all round German oddball.
Personally I’ve never been that into DJ Hell’s sound. It was often too industrial and raw. However his latest album Teufelswerk has managed turn my opinion. Teufelswerk in German means “devil’s work” and there is definitely some sinister evil sounds. The album is sixteen tracks split across two CDs. The first CD clearly labelled Night for Hell’s nocturnal stylings is eight tracks of raw, industrial techno beats crossbred with crunchy acid laden synth lines. Electronic Germany has a certain Kraftwerk feel to it with the low bit electronic synth lines and robot vocals. Whilst The Disaster uses an array of slowly unwinding synth layers to produce a purely sinister sound. Friday, Saturday, Sunday closes the CD with a complete mind fuck track with whirring sirens, off beat keys and a punchy rhythm. It sounds mental, but it’s actually restrained with a great flow and is probably the best track on the Night CD. There is also a celebrity cameo from P Diddy who spits his opinion in your face over classic 909 beats and eerie melodies.
Miss Kitten & The Hacker – Two | Album Review
Friday, May 1st, 2009 | Album Review | No Comments
Miss Kitten is another artist who I find chalk and cheese. On one hand she’s come out with some great electronic tracks yet on the other she’s come out with some cheese melody laden tracks where she insists she must sing over. Her latest offering with The Hacker is no different.
On this album the duo aim for a futuristic space aged sound dipping into the cyber-pop and techno territories. Ironically the sounds they use have an old school feel to them with Moroder synths, 80s synth pop melodies and electrobreak beats. Headline track 1000 Dreams has a great synth pop hook to it and Miss Kittens vocals balance the track out with the soaring futuristic strings. It’s slightly corny, but it’s catchy so I’ll give her that.
Then you have Pppo, a mechanical chugging electroclash track. It has some great muted beats with spacey sonar bleeps and mechanical valve noises. Add to that some nicely placed vocals from Miss Kitten and you’ve got yourself a good stripped back bleepy number.
In Flagranti – Brash and Vulgar | Album Review
Tuesday, April 7th, 2009 | Album Review, Music | No Comments
What do you get when you have an image of 70s porn and wipe it all over house, disco, punk, funk and glam rock? A crusty white tissue and tight glitter trousers? Probably. With In Flagranti the result is Brash and Vulgar, their follow up to 2006’s Wronger Than Anyone Else.
You may ask what 70s porn crossed with music sounds like. Well it’s quite infectious and definitely a bit quirky. The Italo Disco influenced “I Can Thrill & Delight” completely embodies this. The smutty vocals from Tatiana Ilinas gives the track a minxy attitude whilst the off key chimes and horse claps give it that quirky wonkiness. Odd but undeniably catchy.
In the same catchy category is the funk strutting “A Piece of False Morality”. It’s pumped up disco lines and funk rhythms give it such a hook for the insect life spanning two minutes it has you bouncing off the walls. Then you have title track Brash and Vulgar. Its Giorgio Moroder styled synth and disco samples has a great vintage quality yet sounds quite modern in the nu rave house realm.But its not just all disco and funk. The boys throw a curve ball with Svelte Blonde, a sultry glam rock track which has smoking Goldfrapp style vocals.
However the itchy energy of the first part of the album soon fizzles out however with the later half flagging with a series of tracks made up of monotonous cosmic loops. Which is a shame to end an album with such a promising start with its humour, energy and cheekiness which made it blushingly charming.
Buy In Flagranti – Brash and Vulgar on Mp3
Tracklist:
1. She bend each leg alternatly
2. Brash & Vulgar
3. A little something “Extra”
4. I can thrill & delight
5. A piece of false morality
6. Black & grey stripped trousers
7. Svelte blonde
8. Pick a trick
9. It was like nothing before or since
10. I hadn’t screwd around before
11. Ohh, i’ll have to loose weight luv
12. How did the affair end?
Omar S – Fabric 45 | Album Review
Wednesday, March 11th, 2009 | Album Review | No Comments
For the past few years Omar S has been releasing his unadulterated music across the world with the kind of swagger and disregard for everything else that only Detroit musicians can do. With Omar S there are no techno cliques, he’s just a guy that works at the Ford factory by day and at night he produces his own brand of luscious deep music at the same rate as a factory. His label FXHE is completely independent, releasing and distributing his music across the world from his lowly basement in Detroit. All this makes Omar S a definite character. God, he’s so out there he doesn’t even known who Ricardo Villalobos is.
For Fabric 45, he goes and does a Villalobos by mixing up a compilation of self penned works. But lets not worry about the technicalities of whom done what first, the real question is, is it any good? I’m happy to say the answer to that is a resounding yes. His Fabric 45 drifts you away on a sea of electronic synths following a natural current which casually floats you from one track to the next.
The mix weights itself around the focal point of Omar S’ synonymous Psychotic Photosynthesis. Each track from the very beginning edges towards the pinnacle in a fluid and organic manner. In the opening moments Strider’s World combines a haunting organ with 8bit gameboy sounds sets the mix up with an edgy tension before allowing the flood gates to open up to the warm deep synths of Detroit. The luscious melodies of Oasis Four, Crusin Conant and U are tightly intertwined and all reservedly controlled leading into 1 Out of 853 Beats which strips back to bare beats to set up the phenomenal release of Psychotic Photosynthesis’ resonant bassline. Its plunge into the emotive melodies is definitely the pinnacle of the mix.
From there the mix unravels out through various flavours, dicing between soulful numbers such as Set Me Out and the brilliant Day through to the spooky spaced out Blade Runner. And before you know it you’ve arrived at the end.
It’s such a strange mix; the progression is so gradual that any other mix would be considered boring. Yet with this mix the minute details keep you tied in, with wave after wave of intricacy and a build of so much purpose it just never gets tired. I’ve already listened to it countless times and I reckon you will too.
Buy Omar S – Fabric 45 on CD
Tracklisting:
01 Omar-S – Polycopter – FXHE Music
02 Omar-S – Flying Gorgars – FXHE Music
03 Omar-S – Strider’s World – FXHE Music
04 Omar-S – Oasis Four – FXHE Music
05 Omar-S – Crusin Conant – FXHE Music
06 Omar-S – U – FXHE Music
07 Omar-S – Oasis 13 ½ – FXHE Music
08 Omar-S – 1 Out Of 853 Beats – FXHE Music
09 Omar-S – Simple Than Sorry – FXHE Music
10 Omar-S – Psychotic Photosynthesis – FXHE Music
11 Omar-S – The Maker – FXHE Music
12 Omar-S – A Victim – FXHE Music
13 Omar-S – Oasis One – FXHE Music
14 Omar-S – Blade Runner – FXHE Music
15 Omar-S – Day – FXHE Music
16 Omar-S – Set Me Out – FXHE Music
AGF/Delay – Symptoms | Album Review
Monday, March 9th, 2009 | Album Review, Music | No Comments
Symptoms is the new album from AGF and Delay on the formidable BPitch Control. You may recall that AGF was the co-producer of Ellen Allien’s Sool album from last year. Here at EarPipe we raved about that album in a length post here. So expectations were high of AGF to combine her poetic talents with the sparse and diverse production skills of her husband Vladislav Delay.
Symptoms has all the similar elements that made Sool a good album. However AGF and Delay fail to make the same recipe rise in the oven. The same raw and industrial electronic sounds found on Sool buzz and whirr through out Symptoms, yet they seem to lack the coherence or direction to formulate a structure to really hit a chord with the listener. The overall experience is pretty blasé with few moments to take notice of.
That’s not to say the whole album is completely throw away. The pulsating track Most Beautiful brilliantly captures the essence of slow motion in sound as AGF repeats the simple lyrics in a softly spoken voice. Bells and drum hits fade in and out in a kind of Doppler effect to paint an illusion of time slowing down which I guess is what happens when you see the “most beautiful thing” according to the lyrics? The other track worth a mention is Connection. Another slow RnB paced number with syncopated percussion and fuzzy yet bright layers of synths create a Bjork like atmosphere.
Apart from that, unfortunately the album just doesn’t strike a chord. Which is a shame as much was expected from AGF since her effort on Ellen’s Sool.
Buy AGF/Delay – Symptoms on CD
Tracklisting:
01. Get Lost
02. Connection
03. Downtown Snow
04. Outbreak
05. Bulletproof
06. Generic
07. Congo Hearts
08. Most Beautiful
09. Symptoms
10. Smileaway
11. Second Life
12. In Cycles
Syntheme – Lasers ‘N’ Shit | Album Review
Saturday, February 7th, 2009 | Album Review | No Comments
Lasers N Shit is the third release and first album from Syntheme on the infamous Planet Mu. Syntheme unleashes 20 tracks dripping in old skool 303 acid harking back to the late 80s/early 90s rave scene. There’s a hell of a lot to get through on this album, but Syntheme explores all the routes where a 303 can take you. Opening track Mimtro rummages around the gentler side of a 303 with soft vocal backings to compliment the round acid bassline. Whilst tracks like Hard and Final with their pounding beats and crunchy acid lines give the album a proper acid techno work out. There are a few departures from the full on 303 workout but third track Red nicely works in a disco sample with a subtle squelchy backing to show the range that Sytheme can go. And then there are some classic acid cuts with tracks Qarth and Frf3k Up! with its classic percussion and heavy resonance working.
Telefon Tel Aviv – Immolate Yourself | Album Review
Sunday, January 18th, 2009 | Album Review | No Comments
Telefon Tel Aviv a US duo from Chicago, Illinois deliver their third album on the eclectic but very electronic BPitch Control. Coming off the back of supporting Matthew Dear on his US tour, their new album Immolate Yourself looks to redefine Electro/Synth Pop for 2009.
Immolate Yourself is an album of diverse and intelligent textured synth layers which soar and swerve through many emotional states. Opening track The Birds is a bright and breathy track where intertwining synths glide through epic skylines to create a beautiful and warm opener.
The diversity of Telefon Tel Aviv’s range is instantly proven with the following track Your Mouth showing the darker, melancholic side. They use sinister synths layered with melancholic strings through a long chord progression to create a slow and atmospheric movement reminiscent of the darker side of Depeche Mode.
John Tejada – Fabric 44 | Album Review
Sunday, January 11th, 2009 | Album Review, Music | 1 Comment
I always thought John Tejada was from Spain or somewhere quite Mediterranean but it turns out he’s from the west side, more specifically Los Angeles. Which kind of figures as his productions whilst sounding quite European always stood out from the rest. His sound is difficult to pin down. Whilst it would often be stripped back in a European way, at the same time it would be full sounding and raw.
Tejada’s Fabric 44 mix follows in the same mentality, pulsating in waves of stripped back dub goodness and raw twisted mechanical sounds. Tejada would often lead in with subdued dub influenced tracks such as Pigon’s Kamm, Equalised 001’s rattling percussion or ’08 favourite Wax1001 before allowing a swell of twisted electronic noises to take the forefront. Tracks such as Namlook’s Subharmonic Atoms and the brooding nature of Alex Cortez’s Phlogiston or Tejada and Maxwell’s very own Benus Boats is like a pressure release of pent-up techno anger. Once the electroncia wave is unleashed Tejada settles back down reducing the flow to simple loops, positioning himself to pounce again like a cat. It’s a concept that works well and Tejada’s execution is flawless. He even elegantly slots in Orbital classic Farenheit 303 in amongst Tejada’s pseudo acid house.
Although this is a well executed and thought out mix, I’m in two minds about my final opinion. On some listens I find the CD a little dull, whilst on other listens I find it exciting and fascinating. Its strange how this CD polarises my opinion. The only reason that I can think of is due to the twisted electronica elements. I guess sometimes they just rub me up the wrong way putting me off the mix whilst on other listens they don’t seem so brash fitting well into the mix. But if you’re all for twisted mechanical electronic sounds all the time I’m sure you’ll find this mix a pleasure to listen to all the time. So it’s a divided thumbs up from me.
Buy John Tejada Fabric 44 on CD
Tracklist (Click for MP3):
1. Dave Hughes – Let’s Do It
2. Pigon – Kamm
3. Namlook – Subharmonic Atoms
4. Donnacha Costello – Colorseries Olive B
5. WAX – WAX10001
6. Nekes – Cristal
7. Alex Cortez – Phlogiston EP
8. Palette All-Stars – Downtown Hotel
9. Palette All-Stars – After School Special
10. EQD – Equalized001
11. John Tejada & Justin Maxwell – Benus Boats
12. John Tejada & Arian Leviste – M Track 1
13. Orbital – Fahrenheit 303
14. John Tejada – Torque
15. M-Core – Be Gene
16. John Tejada & Arian Leviste – Forbidden Planet
17. Substance – Relish (Shed Remix)
18. Spooky – Candy
19. John Tejada – The Open
20. LJ Kruzer – Huba (Plaid’s 15 Years Lost Remix)
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